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嘉徳通訊第117回·磁器工蕓品　作品紹介

2018-03-06

　　2017年是中國(guó)嘉德（香港）成立五周年志慶，在兩季度的拍賣中，「中國(guó)瓷器工藝品部」斬獲1億9,130萬(wàn)港元的成交金額。 2018年春，中國(guó)嘉德香港瓷器工藝品部秉承嚴(yán)格審慎，方能以恒的原則，四海斬棘，繼續(xù)為廣大藏家甄選精品。此次春拍，我們將攜「摶泥幻化——中國(guó)古代陶瓷」、「玉質(zhì)金相——中國(guó)古代玉器藝術(shù)珍品」及「觀古——瓷器珍玩工藝品」，合計(jì)500多件珍品與眾位藏家同好見(jiàn)面。

　　本期「摶泥幻化——中國(guó)古代陶瓷」專場(chǎng)將呈現(xiàn)逾60件套拍賣品，重點(diǎn)推出數(shù)個(gè)同一收藏的專題版塊：「日本重要財(cái)團(tuán)」、「臺(tái)灣書(shū)香齋」、「可以清心——香港私人藏茶器具」等，值得關(guān)注。其中三件宋、金、元時(shí)期的磁州窯類型器：黑釉刻劃牡丹紋小口瓶、綠釉黑花牡丹紋瓶、黑釉剔花牡丹紋罐，格外精彩。繼續(xù)秉承重來(lái)源、重品相、重知識(shí)、重引導(dǎo)的宗旨，將每位藏者于高古瓷收藏的視野與情懷，文化與意趣，心得與體會(huì)，淋漓盡致地詮釋出來(lái)。

　　「玉質(zhì)金相——中國(guó)古代玉器藝術(shù)珍品」將延續(xù)傳統(tǒng)集古代美玉之珍，整體呈現(xiàn)近200件精美玉器，18/19世紀(jì)青白玉刻如意紋梅瓶為個(gè)中翹楚，本品梅瓶形制，若少女亭亭，肩部起寬弦紋，上飾乳釘紋，腹部上下皆以兩道回紋為區(qū)隔，中央飾抽象如意紋，近足處亦與肩部同飾，可謂之精妙；另有18/19世紀(jì)青玉水牛一件，立體圓雕，四足蜷臥，雙目圓睜，額頭陰刻螺旋形卷發(fā)，筋腱顯露，形態(tài)可掬，輔以底座，更添古韻；清代白玉仿古饕餮紋圭如溫且純，細(xì)若凝脂，為上等白玉制成，圭腹以乳釘紋為兩段區(qū)隔，飾一小一大兩個(gè)獸面紋，怒目圓睜，頗有上古風(fēng)范。清嘉慶白玉高浮雕龍紋福壽如意值得藏家注目，此件如意以玉石整料制成，潔白溫潤(rùn)，晶瑩剔透，如意頭上淺浮雕壽桃累累，枝葉陰陽(yáng)相背翻轉(zhuǎn)自如，柄上高浮雕蒼龍匍匐，兇猛非常，末端淺浮雕佛手瓜紋，均有皇家賀壽之意。造型雍容端莊，值得納藏。

　　「觀古——瓷器珍玩工藝品」甄選瓷器、玉器、文玩雜項(xiàng)等各品類珍品近300件，以饗藏家同好。其中值得關(guān)注是一件清乾隆剔彩壽春寶盒?！复骸棺志哂幸荒陱?fù)始，萬(wàn)物更新之意。故此這系列象征長(zhǎng)壽和新生祥瑞寶盒、是乾隆皇帝在春節(jié)和慶賀大壽時(shí)不可或缺之御用器物。另有一件清代乾隆銅胎掐絲琺瑯纏枝蓮紋龍耳長(zhǎng)方爐值得關(guān)注，整器掐絲粗細(xì)均勻流暢，花莖采用雙勾技法掐絲。鎏金較厚，金碧輝煌的視覺(jué)效果尤為突出，為乾隆時(shí)期典型特征。此品在2005年倫敦S. Marchant & Son 展覽。另一明代嘉靖青花龍鳳紋葫蘆瓶是嘉靖時(shí)期大型琢器的代表作品，此品花紋精美，龍鳳極富神韻，實(shí)屬難得。

2017 marked the fifth year China Guardian (Hong Kong) set foot in the bustling city of Hong Kong. In the past year, the Chinese Ceramics and Works of Art Department has proudly achieved a total of HK$ 191 million. For the upcoming 2018 Spring Auction, we will be presenting a total of three sales spanning a variety of collecting categories.

“Ancient Chinese Ceramics from the Tang to the Song Dynasty” is a dedicated sale offering over 60 superb examples of early wares from this high period of ceramic production. This is the fourth consecutive season of specialised sales in this category leading the way in this field in Hong Kong. There are a number of important private collections—such as an Important Japanese Private Collection, the Shuxiangzhai Collection from Taiwan, and a Hong Kong Private Collection of tea wares. Of particular interest is the Green Ground Painted Cizhou ‘Peony’ Vase from the Northern Song Dynasty, a Carved Black-Glazed ‘Peony’ Vase from the Northern Song Dynasty and a Fine Carved Black-glazed Cizhou ‘Peony’ Jar from the Jin-Yuan Dynasty.

“Virtue & Purity – A Selection of Fine Chinese Jade Carvings” will include nearly 200 pieces in the sale this time. A highlight of the sale is the Pale Celadon Jade Vase, Meiping, 18th/19th Century; the large and evenly-coloured stone beautifully worked in simulating archaic bronze vessels further decorated with auspicious archaistic ruyi motifs. Another highlight is the Celadon Jade Water Buffalo, 18th/19th Century; the magnificent recumbent creature resting with four feet tucked under its cumbersome body, its head turned right revealing a powerful gaze framed by a pair of sturdy horns, and its finely incised tail naturalistically swept to the right. Other highlights include the Archaistic White Jade Axe-Head; the semi-translucent body resembles mutton-fat consistency and is considered amongst the highest quality white jade, the body is intricately worked with bands of taotie motif. Another is the superb White Jade Sceptre; the Imperial grandeur of the sceptre is represented by the auspicious peach and finger citron fruits together with a withering dragon worked in high relief.

“Fine Chinese Ceramics and Works of Art” will include a carefully selected group of ceramics and works of art, jades, Buddhist art and scholar’s objects. Of particular note is a Finely Carved Polychrome Lacquer ‘Chun’ Box and Cover with a four-character incised and gilt inscription shouchunbaohe and a six character incised and gilt-Qianlong mark. The character chun (‘spring’) is centred within a circular panel. This type of precious box is a representation of longevity and spring; Emperor Qianlong often used this type of auspicious box during Chinese New Year and birthday celebrations. Another important imperial work of art is the Cloisonné Enamel Rectangular Censer with Dragon Handles also bearing a Qianlong mark. It was exhibited at S. Marchant & Son London in 2005. Last but not least, there is the Blue and White ‘Dragon and Phoenix’ Double-Gourd Vase from the Jiajing period. This type of vase is a masterpiece among larger pieces from the Jiajing period with the auspicious imagery reflecting the Ming Emperor’s preoccupation with longevity.

嘉德通訊117期·焦點(diǎn) 瓷器工藝品